The first impressions
v1, Product Hunt, demo day, the funding post: every moment that only happens once, filmed from the product itself and ready before the news cycle moves.
Learn moreOne line is the brief. An AI agent explores your real product, rebuilds the screens worth filming as live animated UI, and cuts them to the beat: the launch film today, a feature take every sprint, a homepage demo that never goes stale.
From URL to premiere, the whole cut happens in the cloud. An agent does the exploring, the directing, and the editing.
See who it's for ↗The agent opens your product in a cloud browser and uses it itself, clicking through the real screens to find what's demo-worthy.
Get early access ↗It proposes the screens and features to highlight. You edit, add, remove, and confirm. Nothing ships that you didn't call.
Get early access ↗Choose a soundtrack or let it choose. The music isn't laid on top: cuts, transitions, and animation timing are derived from the waveform.
Get early access ↗The film renders as real animated UI. The agent reviews its own take, reshoots what it doesn't like, and takes your notes in chat.
Get early access ↗Launch day is one occasion. The same agent, and the same URL, covers the rest of the calendar.
The premiere: 30–60 seconds of your strongest screens, directed and cut to the drop.
When a launch film costs one sentence, video stops being the asset you cut from the plan and starts being the first one you make.
Founders launching v1, product teams shipping weekly, marketers keeping the site alive.
v1, Product Hunt, demo day, the funding post: every moment that only happens once, filmed from the product itself and ready before the news cycle moves.
Learn moreA feature take per sprint, a release reel per month. When a film costs one line, announcing everything with video is a policy, not a project.
Learn moreThe homepage demo, the workflow explainers, the cutdowns for every channel, re-explored and re-cut in hours whenever the UI changes.
Learn moreBehind a login? You sign in once via an embedded live browser. Your credentials go straight to your product — they never touch Ghostmotion. The agent films the logged-in experience and keeps nothing but the shots you approve.
Ask us anything ↗The edit is built from the music, and the motion is learned from film. Both run on models we built for exactly this.
Music-first editing. Pick the track before a single frame is cut. The edit is built from the waveform: cuts land on beats, transitions ride the phrasing, camera pushes hit the drops. Change the song and the same footage re-cuts itself to the new rhythm.
Join the waitlist ↗Motion, learned from film. Our proprietary motion-learning model studies any reference video you link (YouTube, X, a portfolio reel) and measures every animation in it: durations, easing curves, spring constants, stagger, rotation. Moves it doesn't know are learned as new presets, rendered, and re-measured against the reference until they're frame-accurate.
Join the waitlist ↗Short cinematic films of your product: launch films, feature takes, demos, and release reels, 15 to 60 seconds, rendered in up to 4K. It rebuilds your product's own screens as real animated UI in your own brand, with cursor-driven interactions and cuts synced to the music. Not stock footage, not a screen recording.
One line and a URL. If your product is behind a login you sign in once through a live browser; credentials go to your product, never to us.
You pick the track first (or let the agent choose), and the edit is built from the waveform: cuts land on beats, transitions ride the phrasing, and animation timing is derived from the music. The score drives the cut, not the other way around.
Yes. That's Automotion, our proprietary motion-learning model. Paste a link to any reference video and it measures every animation in the footage (durations, easing curves, spring constants, cut rhythm), then teaches the moves it doesn't know to the studio as new motion presets.
Early access is open. Bring a URL, the agent handles the rest.